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K2 book of the dead

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k2 book of the dead

enace.eu: K2 – Book of the Dead jetzt kaufen. Bewertung,. Pop, Rock International, Rock, Metal. Febr. Zwar bin ich nicht unbedingt ein eingefleischter Prog. Jan. Zunächst zeigt. enace.eu: K2 – Book of the Dead jetzt kaufen. Bewertung,. Pop , Rock International, Rock, Metal. Ich bin gespannt auf weitere. Aug. K² - Book Of The Dead @, Review, Besprechung einer CD/LP, K2 ist nicht nur der zweithöchste Berg der Welt, sondern auch das Projekt. K2 is a project of Ken Krasilnikov of the L. The Edge Of Light 7: The fantastic violin passages performed by Devereaux, reminded me of the way Jobson played this instrument in UK. Mastermind Ken Jaquess b. I'll be very happy if you decide to share with me your feelings about the album. His voice has the same timbre and the same diction Peter Gabriel had in the early seventies. Fantastisch gleich das erste Stück, welches etwas über 23 Minuten dauert und das ich bereits mehrere Male genossen habe. Auch das Artwork ist lotto results ansprechend aufgemacht, so dass K2 eine amtliche erste Duftmarke auf dem Markt hinterlassen haben. Biathlon em 2019 album has been called a kind dart auf schalke a reunion of U. This album would favor those who love Marillion and those who love neo prog style. Casino q is the key, keep it moving. Alan Holdsworth is a famous and no doubt great guitarist but his style doesn't work for me one bit. Going for the shorter tracks,Guerin's voice comes even closer to my ears to CITIZEN CAIN's Cygnus,as in verlängerung fussball catchy ''Mirror in the sunderland liverpool dreamy synths along the way,a memorable chrorus and a fantastic spacey guitar middle section delivered by Holdsworth. Online casino bonus freispiele ohne einzahlung seinerzeit www vitibet untergegangene Neueinspielung des Klassikers olg online casino review nun per Mausoleum Records ganz zurecht seine Wiederveröffentlichung. There are two minutes beginning around the With only 46 minutes of music on the entire CD, the heart of this album defaults to the minute opener "Infinite Voyage".

Again, it is a beautiful example of how great this band sounds. No more news about another release so far, but who knows? A very atmospheric track based on the sensational Gabriel-esue vocals of Guerin and the atmospheric synths of Okumoto.

Holdsworth is also there to deliver great solos close to his work with U. Not that complex,but certainly a great track full of changing atmospheres and moods.

Holdsworth distinctive guitars add an extra U. Driving violins,memorable grooves,heavy use of floating synthesizers and a fair amount of again atmospheric and emotional vocals are an excellent epilogue to a very nice effort.

Since this group is listed under Neo-Prog, I feel that I must begin this review by issuing a warning which is more of a blessing for some of us!

Further, within the ranks of K2 we find none other than the great Allan Holdsworth who is clearly a classic, first generation Prog artist.

While K2 is listed as a US band, they are in fact a multi-national band due to the presence of Holdsworth who is British.

Rather, it has a timeless sound! While all of the people involved here are obviously very talented, Holdsworth steals the show with his totally unique and distinctive guitar sound.

Though less theatrical and a bit more laid back, the vocals are strongly Peter Gabriel-like. There is also some exquisite violin on the album often sounding a bit like Kansas.

In the overall atmosphere and feeling of the music it sometimes reminds me of the excellent, recently released Proto-Kaw albums.

Despite similarities with such classic groups, K2 has managed to find their own sound and I do not find this music derivative in any obvious or distracting way.

However, the music of K2 is much less intense compared to that of UK. While I immediately liked the sound of this band, it took several listens before I got into the music.

My very first impression was that the songs were not strong enough melodically to be really memorable. However, like with many great progressive rock albums it took several listens before it started to sink in and began to grow on me.

I have now listened to this album over and over, over a period of more than a weak, and it keeps growing on me. The melodies that reveal themselves over several listens are gorgeous and turned out to have lasting appeal.

His solo albums are often quite tedious to listen too, often lacking in melody and composition. It is clearly when he worked with other people like in Tempest, UK and here in K2 that he created his best works.

Book Of The Dead consists of only five songs, or chapters as they are called here, the longest being a 23 minute plus piece and the shortest is an instrumental with the very well played bass guitar as the leading instrument.

The latter is inevitably the weakest number of the album. The high quality of the music is spread equally over the album and there are no real standout tracks nor are there any weak ones.

The album is based on the Egyptian book of the dead and the lyrics are certainly not your average love songs. The concept helps to hold the music together.

It is also a strong advantage of the album that it runs for only 46 minutes, not committing the all too common mistake in the age of the compact disc to pack the disc too full of material.

A shorter length often makes for a more cohesive album and avoids overwhelming the listener with too much material at once.

A further advantage is the very high production values, Book Of The Dead is something of a sonic masterpiece. And I think this is a great addition to any Prog collection.

Infinite Voyage is a track full of guitar passages I prefer this word here to solos because a guitar solo is supposed to be a memorable piece of music, at least in my book and these passages are mainly my problem with this track.

I like the smooth and clear guitar style of Nick Barrett, Gary Chandler or John Mitchell but this style is totally different. It even annoys me a bit listening to it so that explains my problem with this epic.

There are also some keyboard passages on the track and they are much more impressive to me. Next one, Mirror to the Spirits, is more impressive to me.

Third track is called The Edge of Light and is just about as hard to digest as the opening epic. Nothing really great here and forgettable therefore.

Fourth song is called Aten Window of Appearences and is an ambient instrumental track. It all sounds a bit mysterious creating a sort of old Egyptian feel.

Last one Cloak of Antiquity is more like third track and has the same impact on me. The overall feeling about this album is that it could and should have been better.

Lots of atmosphere to start before the piano comes in around a minute. Check out Holdsworth and also the huge bass.

Vocals for the first time 4 minutes in. It kicks in after 6 minutes with violin. Great sound here with huge bass. Love the sound 10 minutes in with vocals, mellotron and bass.

Guitar joins in ripping it up. It settles with vocals 14 minutes in then kicks back in with lots of synths. Vocals and mellotron join in then guitar.

A full sound with organ a minute in. Huge bass as vocals join in with mellotron. Vocals are back 5 minutes and the melody follows.

Vocals before a minute as it settles some. Violin 2 minutes in. Lots of atmosphere 4 minutes in and the bass is prominant as usual.

Guitar solo to the end. Vocals and bass standout eventually as the song kicks in. This is really good. A solid 4 stars. I really like the melancholic mood and fat bass lines.

Of course Holdsworth never disappoints. Just a really enjoyable album for me. Ken Jaquess is the mastermind behind this project, the song material and the concept.

Which means that there is no interplay between these members! So how can this even be considered a group effort? It feels like the vocal sections have the same purpose as the instrumental guest appearances and the music never feels like a coherent effort.

The only interesting thing about Book Of The Dead is how Ken Jaquess actually got away with calling this a band effort!

I can only imagine that Allan Holdsworth completionists might be interested in this material and even they would be disappointed by this disjoint mess of an album.

Mirror To The Spirits 6: The Edge Of Light 7: Aten Window Of Appearences 3: Cloak Of Antiquity 5: When I first read about the existence of this musical project, in Progarchives, I became very curious about it.

But, what most amazed me was that the whole work was written, arranged and produced by Ken Jaquess, a musician who I had never heard about before.

As I became curious about this project, I tried to buy this album as soon as possible. K2 is the first project of the bassist Ken Jaquess of the L.

About the musicians who participated on this project, I really had only heard of Devereaux and Guerin, and sincerely, I only really knew Holdsworth and Okumoto.

Holdsworth is a guitar virtuoso artist, who performed many different styles of music. He is best known for his work in the jazz fusion style.

He became well known because of his cooperation in bands like Soft Machine and Gong. She explores the progressive rock and founded the Progressive Symphony in Los Angeles.

From his youth, Ken has a huge fascination with the ancient world and with all their civilizations. It was instilled by his mother.

With ideas and stories taken directly from the original book, Ken has weaved an intricate and an ornate tale of rules, about death and the ultimate journey to the afterlife.

It was started in and took four years to finish. This atmosphere is a nice epilogue for the end of this very good conceptual project.

This is a very interesting project served by a handful of fine musicians. The final result is an excellent debut album.

In almost 47 minutes, you are taken along a journey that features all the elements of the era in which progressive rock music was invented.

The musical traces of Genesis are particularly evident, mainly due the similitude between the voices of Guerin and Gabriel. However, you can also enjoy of modern jazz rock influences.

Undoubtedly, I really salute this splendid album and I recommend it, very strongly, to everybody. Prog is my Ferrari. This was bought for me as a xmas prezzie - and I asked Father chrimbo to deliver it at the same time he was emptying his sacks in my wifes stockings or whatever The opening track is impressive, featuring an opening K2 is a nice romantic symphonic prog rock act.

This music is so poetic and intense. The jazzy taste is strongly incorporated by A Holdsworth guitar passages, and his particular extended electronic sound as an electronic violin Quite a melancholic music and very well executed.

I was listening to the 25 minutes long opening track with the BritAwards on TV in the background. In other words, wonderfully lush with tonnes of guitars an This is a cd which got better with every listen.

Infinite Voyage is the epic on the cd. As an older listener this debut sits very comfortably with my memories of prog of yesteryear.

Nods to those greats are respectfully made, in fact these references appear to be deliberate. The work of Bill Bruford is really impressive and diverse in there.

About our ratings, they are often the same, and if they are not, you are barely point five more generous than me. So I might be more severe than you hahah K2 gets better with each listens, but I think 3.

It tends to be jam rock more than prog rock. Would be better with more energy, more clever arrangements. It contains a few great passages I confess.

The rest of the album is from good to great. I am not sure about the rating yet. But I could feel the mysterious feeling you mentioned.

I will continue listening to it and I will tell you something later. And that you could feel the mysterious aura mentioned by me. This is a great album.

I agree with Jethro too. The album gets better with each listens. Again great work, pal. Cheers, and no problem with the delay. This album has been called a kind of a reunion of U.

K2 is a project of Ken Jaquess of the L. The members of Atlantis are currently on a hiatus or working on other projects.

K2 began quite by accident in when Jaquess asked drummer Sanborn to play on some new music he was working on. Having no idea if anything would come of these sessions, they set out to record a bold and daring project that would soon take on a life all its own.

So, Ken and Doug had laid the foundation for an epic album of high musicianship, complex compositions and haunting themes.

Sadly, just after recording his vocals, original vocalist Guerin died. Since his youth, Ken has a huge fascination with the ancient world and with all older their civilizations.

It was instilled by his mother. With ideas and stories taken directly from the original book, Ken has weaved an intricate and an ornate tale of rules, about death and the ultimate journey of men.

Ken plays some strong bass parts that undoubtedly reminded me of Squire. Maybe the latter sang a bit more emotionally.

Many lovers of progressive rock music know Holdsworth for his guitar work on the first eponymous UK album.

His style of playing is unique and is easy to recognize on this album. The fantastic violin passages performed by Devereaux, reminded me of the way Jobson played this instrument in UK.

But we can also hear on the album some jazz rock elements in the finest tradition of Jean Luc Ponty. The album is divided into five songs presented as chapters, with a total time of 46 minutes.

This is a very interesting project served by a handful of fine musicians. The final result is an excellent debut album.

In almost 47 minutes, you are taken along a journey that features all the elements of the era in which progressive rock music was invented.

Still, the musical traces of Genesis are particularly evident, mainly due the similitude between the voices of Guerin and Gabriel. However, you can also enjoy of modern jazz rock influences.

Undoubtedly, I really salute this splendid album and I recommend it, very strongly, to everybody. Finally, a very special reference to Holdsworth.

I always admired his unique guitar style. He was known for his advanced knowledge of music, incorporating a vast array of complex chord progressions and intricate solos.

We really lose a great legend. Music was my first love. John Miles Rebel Tweet Recent reviews by this author.

Jon and Vangelis Short Stories. Bruford One of a Kind. Bruford Feels Good to Me. Patrick Moraz The Story of I. Jethro42 June 13th Comments. TheIntruder June 16th Comments.

Jethro42 June 16th Comments. Jethro42 June 18th Comments. Jethro42 June 19th Comments. TheIntruder June 20th Comments. TheIntruder July 3rd Comments.

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K2 book of the dead - you tell

It even annoys me a bit listening to it so that explains my problem with this epic. However, this prog sub-genre is relatively less known, comparativelly to other prog sub-genres. I can't pin point any plagerism or blatant tributes, but it all sounds like I've heard it before. In fact, I'm surprised that none of the songwriting is credited to Guerin as some of these passages sure bear similitudes with music from his great solo work. It's a pleasure for me to see that some members of Sputnik appear to comment the album. The Edge of Light" 7: The only interesting thing about Book Of The Dead is how Ken Jaquess actually got away with calling this a band effort! Some passages are more in the somewhat 'sleepy' mood and slower tempo of Camel's Moonmadness and Genesis calmer moments. The site crashed down 3 days this time. Vinyl-Auflage einer lohnenswerten Archiv-Collection. Alle, die jetzt Blut geleckt haben und neugierig sind, surfen flugs auf die Homepage des Herrn Jaquess. Maybe a bit too much "Yes" oriented musically. Das Musik-Reich der blauen Königin ist noch etwas zu klein. However, fans of Holdsworth's highly experimental side might perhaps find the music of K2 undemanding. Vocals for the first time 4 minutes in. Es handelt sich um ein zusammenhängendes Konzeptalbum mit skrill erfahrungen Titeln. Atlantis bass player and composer Ken Jaquess mixed both elements and created a true masterpiece. Check out Holdsworth and also the huge bass. So, it was in this context that I say that. Chapters handy werbung tv and 3, 'Mirror to the Spirits' and 'The Edge of Light' continue the grandeur and plenty of organ, tonybet driving emotions, carefully honed solos, swelling production and many changes. Violin 2 minutes in. The musical traces of Genesis are particularly evident, mainly due the similitude between the voices of Guerin and Gabriel. Beide sind für mich auch die 'Sahnehäubchen' ok übersetzung dieser Scheibe. So, don't be surpised, when he enters the scene you will be ass automobile heidenheim in the early seventies, but with a modern sound.

They each have different themes that develop quite well. Again, this entire album has a Genesis sound, almost as if it were Foxtrot pt.

My second favorite track on the album is Cloak of Antiquity, it just has all the elements of a great track. A great intro, a great vocal line, great musicianship, who could as for more?

Overall, this is a great effort that was well worth the 4 years of production. I hope Jaquess gives K2 another go in the future.

I recommend this piece of music to all. Try this at home and be happy!! Mirror to the Spirits" 6: As first track this one is a simple composition with slow-medium tempo.

The Edge of Light" 7: Cloak of Antiquity" 5: This album would favor those who love Marillion and those who love neo prog style. Book of the Dead may wield few new progressive ideas and is perhaps a bit green and downy-cheeked, but it is also a great-sounding record of completely sincere progressive rock.

And that still has value, right? Quite tasteful overall, sometimes like the more refined moments of U. A strong three and a half stars. Shaun has been the vocalist of a Genesis tribute band.

The listener is surrounded by the powerful sound which fully embraces you. The dialog between the violin and the guitar is truely remarkable.

It is indeed a fantastic voyage in time and sounds. Instrumental sections will transport you to the utmost joy, believe me!

Vocals are more a recitation and adds even more grandeur and solemnity to the whole. You can easily imagine an Egyptian priest performing his religious acts.

A great symphonic prog epic. All the way through. Maybe a bit too much "Yes" oriented musically. Can you imagine Yes with Gabriel , Well, you almost get them here!

Well, after this masterpiece, you need a deep breath of fresh air to go on with the album. Actually, the probability that you want a replay is very much probable.

And it is probably the most advisable thing to do because the other parts of the album are not of the same caliber but is it possible? Bass playing is seriously Chris Squire influenced, to say the least at the end of the song.

My second fave is the closing number "Claok Of Antiquity". It is IMO, the most Genesis-like song. Again, it is a beautiful example of how great this band sounds.

No more news about another release so far, but who knows? A very atmospheric track based on the sensational Gabriel-esue vocals of Guerin and the atmospheric synths of Okumoto.

Holdsworth is also there to deliver great solos close to his work with U. Not that complex,but certainly a great track full of changing atmospheres and moods.

Holdsworth distinctive guitars add an extra U. Driving violins,memorable grooves,heavy use of floating synthesizers and a fair amount of again atmospheric and emotional vocals are an excellent epilogue to a very nice effort.

Since this group is listed under Neo-Prog, I feel that I must begin this review by issuing a warning which is more of a blessing for some of us! Further, within the ranks of K2 we find none other than the great Allan Holdsworth who is clearly a classic, first generation Prog artist.

While K2 is listed as a US band, they are in fact a multi-national band due to the presence of Holdsworth who is British. Rather, it has a timeless sound!

While all of the people involved here are obviously very talented, Holdsworth steals the show with his totally unique and distinctive guitar sound. Though less theatrical and a bit more laid back, the vocals are strongly Peter Gabriel-like.

There is also some exquisite violin on the album often sounding a bit like Kansas. In the overall atmosphere and feeling of the music it sometimes reminds me of the excellent, recently released Proto-Kaw albums.

Despite similarities with such classic groups, K2 has managed to find their own sound and I do not find this music derivative in any obvious or distracting way.

However, the music of K2 is much less intense compared to that of UK. While I immediately liked the sound of this band, it took several listens before I got into the music.

My very first impression was that the songs were not strong enough melodically to be really memorable. However, like with many great progressive rock albums it took several listens before it started to sink in and began to grow on me.

I have now listened to this album over and over, over a period of more than a weak, and it keeps growing on me.

The melodies that reveal themselves over several listens are gorgeous and turned out to have lasting appeal. His solo albums are often quite tedious to listen too, often lacking in melody and composition.

It is clearly when he worked with other people like in Tempest, UK and here in K2 that he created his best works. Book Of The Dead consists of only five songs, or chapters as they are called here, the longest being a 23 minute plus piece and the shortest is an instrumental with the very well played bass guitar as the leading instrument.

The latter is inevitably the weakest number of the album. The high quality of the music is spread equally over the album and there are no real standout tracks nor are there any weak ones.

The album is based on the Egyptian book of the dead and the lyrics are certainly not your average love songs.

The concept helps to hold the music together. It is also a strong advantage of the album that it runs for only 46 minutes, not committing the all too common mistake in the age of the compact disc to pack the disc too full of material.

A shorter length often makes for a more cohesive album and avoids overwhelming the listener with too much material at once. A further advantage is the very high production values, Book Of The Dead is something of a sonic masterpiece.

And I think this is a great addition to any Prog collection. Infinite Voyage is a track full of guitar passages I prefer this word here to solos because a guitar solo is supposed to be a memorable piece of music, at least in my book and these passages are mainly my problem with this track.

I like the smooth and clear guitar style of Nick Barrett, Gary Chandler or John Mitchell but this style is totally different.

It even annoys me a bit listening to it so that explains my problem with this epic. There are also some keyboard passages on the track and they are much more impressive to me.

Next one, Mirror to the Spirits, is more impressive to me. He used the concept of ancient Egypt for writing amazing music.

Since I heard the Atlantis album Pray For Rain , I already knew that this American musician is very talented, but this time he really grabbed me by the throat.

Ken Jacques plays some strong bass parts that undoubtedly reminded me of Chris Squire Yes. This bass sound gives the music a kind of Yes-feel, whilst his Mellotron-playing evokes strong references to Genesis intensified by the lead vocals of the late Shaun Guerin.

His voice has the same timbre and the same diction Peter Gabriel had in the early seventies. Maybe the latter sang a bit more emotionally.

Many lovers of progressive rock music know Allan Holdsworth for his guitar work on the first eponymous UK -album. His style of playing is unique and is easy to recognize on the Book Of The Dead.

Why I chose this album to homage Allan? Mainly due to three reasons. First, it was my intention to review this project for awhile, so I had already added the band on Sputnik some time ago.

Second, because I love the album and I really think that it must be beter known, since even in the prog world is a bit unknown too.

Third, because from what I know, this is the last great project in which Allan had participated. I must confess that I hesitated a bit because there are many other things to homage him, especially the debut studio album of U.

Still, I preferred to chose an unknown and most recent thing. Besides that, it has all the ingredients of the U. Somehow, we can say that "Book Of The Dead" is a kind of a more modern version of the original album.

So, I hope you enjoy it too. As usual I wait for your comments, especially in cases like this. With this album I started a series of reviews about less known or even unknown prog albums, artists and projects that will be published in the next weeks.

So, I hope you can be interestd and enjoy them too. It could use of more colors, and more great melodies. To me, they could have used of some more work in each of their tracks.

Good review and good homage, bro. RIP to Alan, the legend. Anyway, pos for the review. I enjoyed read it. Sometimes it happen but only for short periods of time.

Nothing like this, for so long. It was a "calculated risk". As you know, I like to review known and unknown albums, if I have interest in talk about them.

The only surprise is that I expected more views. You know, some curiosity about it. About the album, I always loved it. As you said, it has a bunch of great musicians on it, especially the guitar work of Allan, which is excellent, as always.

Besides that, I can agree with you that the album could be a better work. But the album always had a very strange and special feelling in me. I always felt on it a very special feeling a kind of a very misterious aura.

As if the mystery of the Ancient Egypt and the mystery of the afterlife is present all over the album. So, in a way, I think the music reflects, perfectly, the spirit and the concept of the album.

I have listened to the album dozen of times and I continue having the same feeling. So, I continue to be a great fan of the album and of K2.

I think it was always a bit, an underrated musician. I really hope you enjoy it. I think a little love for this project suits right.

The site crashed down 3 days this time. If the administrators would not change it, the problem would keep on being recurring.

Book of the Dead by K2 Umbrello Records. The solos are more simple than the normal Holdsowrth fair and contain some of his most touching melodies. Besides that, I can 888 casino promo code with you that the album could be a better work. Mirror to the Spirits 6: Music was my first love. If lübeck casino administrators would not change it, the problem would keep on being recurring. Archived from the original on 28 August Mirror to the Spirits 6: Vocals are more a recitation and adds even more grandeur and solemnity to the whole. It is IMO, the most Genesis-like song. Unique in a world of slapping bassists. Having no öffnungszeiten jacks casino uelzen if anything would come casino superlines bonus these sessions, they set out to record a bold and daring project that would soon take on a life all its own. Nothing like online casino bonus freispiele ohne einzahlung, for so long. Mirror to the Spirits frauen fussball em 2019 The high quality of the music is spread equally over the album and there are no real standout tracks nor are there any weak ones. In the book Buried in the SkyAmanda Padoan and Peter Zuckerman examine much more closely the Sherpa and HAP experiences of the disaster, and present plausible alternative scenarios and explanations of the events, including the possibility that McDonnell and Karim were still alive at the time of the fourth serac fall. All the way through. Just a really enjoyable album for me. List of books about K2 K2 board game K2 film K2: Still, I preferred to chose an nonstop casino and most come fare casino in classe thing. A further advantage is the very high production values, Book Of The Dead is something of a sonic masterpiece. Jethro42 June 19th Comments.

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5 Replies to “K2 book of the dead”

  1. Ich tue Abbitte, dass sich eingemischt hat... Aber mir ist dieses Thema sehr nah. Ich kann mit der Antwort helfen.